AS Literature 9695
Sunday, 4 February 2018
Welcome to 2018 AS Literature!
Hi people, Teacher Matt checking in for the new year- watch this space for things to come...
Sunday, 10 September 2017
Welcome back! New essay:
Hi everyone,
Here's the next essay question:
Make critical judgements, then use all the best evidences from the text to back up your conclusions.
Let me know if you'd like any further suggestions.
- T. Marcus
Here's the next essay question:
In what ways, and with what dramatic effects, does Shakespeare contrast Antony and Octavius Caesar?
Make critical judgements, then use all the best evidences from the text to back up your conclusions.
Let me know if you'd like any further suggestions.
- T. Marcus
Thursday, 24 August 2017
Practice exam questions
Discuss Shakespeare’s dramatic presentation of loyalty and betrayal in Twelfth Night.
and Octavius Caesar in the play.
These are pretty standard question types and styles from Cambridge. Enjoy.
- T. Marcus
Discuss Shakespeare’s dramatic presentation of the relationship between Antony
These are pretty standard question types and styles from Cambridge. Enjoy.
- T. Marcus
Monday, 21 August 2017
Antony & Cleopatra essay focuses - Egypt
Hi everyone,
As promised, here's those notes I showed today. Hope it helps, let me know if you have any questions. Have a crack at other paragraphs!
- T. Marcus
As promised, here's those notes I showed today. Hope it helps, let me know if you have any questions. Have a crack at other paragraphs!
Discuss Shakespeare’s
dramatic presentation of Egypt in the play ‘Antony & Cleopatra’.
Possible
topics to cover:
What characterises Egypt?
Cleopatra
Excess without restraint
Wealth & Luxury - exotics
Fleshly pursuits (Food, sensuality, & entertainment)
Pleasure
Danger
Change & deception
Immorality
Mysticism / godlessness / paganism
(Egyptian gods)
What makes these characteristics stand out?
Contrast with Rome; juxtaposed
through structure of scene arrangement
Language focuses, interests
Drama, passion, emotion
Emphasis on Egypt as a location for
play’s action
Imagery
Its effect on others, particularly
Antony
Other considerations:
Gender powers (Rome is dominated by
a male authority, Egypt by female)
Gender roles / gender swapping (and
comedic vs tragic conventions)
Hierarchy & conduct (social, militia,
personal)
- T. Marcus
Monday, 10 July 2017
Term Two study break
Hi everyone,
Hope you're being strategic about getting some down-time and still getting done the things that need to be done!
To that end, here's what I expect to be done:
And no essay for the holidays! I know; I'm amazing. :)
Enjoy.
- T. Marcus
Hope you're being strategic about getting some down-time and still getting done the things that need to be done!
To that end, here's what I expect to be done:
- Read Antony & Cleopatra (main play text)
- Read Intro to Antony & Cleopatra, at least through first 15 pages (main play text)
- Read summary & analysis for all scenes in Antony & Cleopatra (study guide)
- Revise and consolidate ALL notes for ALL other texts - these should reduce your notes to core basics for all poems, chapters, and scenes.
- Choose the four poems you will be memorising in preparation for your examinations, and begin memorising. At least two of these should be memorised before we return to Term Three.
And no essay for the holidays! I know; I'm amazing. :)
Enjoy.
- T. Marcus
Thursday, 29 June 2017
Twelfth Night - Week 6 reading
Hi everyone,
This week's readings:
Main text-
Study Guide-
Also, you should start going back through the study guide and developing your scene notes.
- T. Marcus
This week's readings:
Main text-
- If you haven't finished it yet, do.
Study Guide-
- 'The Pangs of Laughter', 'Antonio's Agony'; p45
- p83, 85-87
Also, you should start going back through the study guide and developing your scene notes.
- T. Marcus
Monday, 26 June 2017
Twelfth Night - Week 5 reading
Hi everyone,
This week's readings:
Main text-
Study Guide-
Sorry this one is so late!
- T. Marcus
This week's readings:
Main text-
- Act 4, Scene 3 - end; p143-162 (sorry, last week's pages were meant to read 119-142)
- Intro, p36-46 (Stage history)
Study Guide-
- Act 4&5 summary / analysis; p50-54
- Using Critical Interpretations & Perspectives, p98-105
Sorry this one is so late!
- T. Marcus
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